Horror Elements In The Autopsy Of Jane Doe Film

Horror Elements In The Autopsy Of Jane Doe Film

• By Sheli Fadilah;
• D3 - Bahasa Inggris
• 5
• 57

This paper examines the horror elements in The Autopsy of Jane Doe through a detailed literary analysis, focusing on how the film’s supernatural elements, body horror, and psychological tension contribute to its overall sense of dread. Using Noel Carroll's philosophy of horror, Tzvetan Todorov’s theory of the fantastic, Linda Williams’ theories on body horror, and Sigmund Freud’s concept of the uncanny, the analysis explores how these components interact to create a compelling and unsettling horror experience. The study reveals that the supernatural elements in the film disrupt natural order and engage viewers’ curiosity by presenting a corpse that defies conventional understanding. The film’s depiction of body horror, characterized by graphic autopsy scenes and grotesque transformations, elicits strong emotional responses of disgust and fear. Additionally, the psychological tension, driven by interpersonal conflicts and the blurring of reality, enhances the film’s sense of dread by creating a claustrophobic and disorienting atmosphere. Through its combination of supernatural, corporeal, and psychological horror, The Autopsy of Jane Doe effectively engages viewers on multiple levels, making it a noteworthy example of contemporary horror cinema. The findings of this paper contribute to a deeper understanding of how various horror elements can be integrated to create a powerful and immersive narrative experience.

• Katakunci The Autopsy of Jane Doe, horror cinema, supernatural elements, body horror, psychological tension.
• URL http://
• Penerbit ,

REFERENSI

Carroll, N. (1990). The Philosophy of Horror, or Paradoxes of the Heart. Routledge.

Freud, S. (1919). The Uncanny: Vol. XVII (Standard Edition). The Hogarth Press and the Institute of Psycho-Analysis.

Kristeva, J. (1982). Powers of Horror: An Essay on Abjection. Columbia University Press.

Pinedo, I. C. (1997). Recreational Terror: Women and the Pleasures of Horror Film Viewing. SUNY Press.

Smith, M. (1995). Engaging Characters: Fiction, Emotion, and the Cinema. Oxford University Press.

Todorov, T. (1970). The Fantastic: A Structural Approach to a Literary Genre (First edition). Cornell University Press.

Williams, L. (1991). Film Bodies: Gender, Genre, and Excess. Film Quarterly, 44.