This study discusses the construction of Islamic identities in the figure of veiled woman in AyatAyat Cinta film. The method in this research applies textual analysis method and cultural studies approach in analyzing the film scenes and dialogues based on the theories proposed by Castells on identity formation, Asma Barlas’s feminist hermeneutics of al-Qur’an, gender, and patriarchy. This film shows that Islamic identities as represented by veiled woman is related to the values of man’s power, patriarchal ideology, and social construction. The results of this research proves that the main character as in veiled women is tried side by side with the ideology of patriarchy in struggling for her freedom, justice, and equality with men, so that the veiled woman represents current Islamic values that are harmonious, dynamic, and modern (Pluralist Islam). This study is important to understand variants Islam through Islamic dress, religious practice, and the interpretation of alQur’an verse that exist in Indonesia as religious discourse in cultural studies. Keywords: Islamic Film, Identity Construction, Veiled Wome
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